The Jerusalem Post, July 2013
Whether in the drawings and animated videos she creates months at a time; exhibitions and installations she plans years in advance; intensely structured art courses she teaches year round; or the two studios and assistants, one in Tel Aviv and another in Berlin, she maintains at all times, her oscillation between subsequent pairs of poles is what gives her work a sense of balance and also imbues it with a simultaneous sense of vertigo. . .
