TheJerusalem Post, May 2012
When spectators first engage with works by sculptor Nahum Tevet their first reaction is often to see them as a homage or extension of early Soviet Constructivism—the foremost heroes of which were Alexander Rodchenko, Kazimir Malevich and Vladimir Tatlin, whose unbuilt tower remains the iconographic image of that era’s ambitious modernist spirit. But Tevet, who readily admits his affinity for this movement, connects with it on a critical plane. . .
