Samuel Beckett, Melanie Klein, and the Voices of Intuition
Public Seminar, June 2019
One of the first things I did after first buying Samuel Beckett’s so-called Trilogy—which consists of Molloy (1951), Malone Dies (1951), and The Unnamable (1953)—was to take a box cutter and slice the spine into three separate novels. I read the first two in New York in 2007, where I lived at the time, and brought the last part with me to Jerusalem in 2008. . .
